{"id":5974,"date":"2018-09-27T10:02:50","date_gmt":"2018-09-27T08:02:50","guid":{"rendered":"https:\/\/renowacja.katedraopolska.pl\/?page_id=5974"},"modified":"2021-06-10T01:02:27","modified_gmt":"2021-06-09T23:02:27","slug":"kultura-i-edukacja","status":"publish","type":"page","link":"https:\/\/renowacja.katedraopolska.pl\/cz\/kultura-i-edukacja\/","title":{"rendered":"Pomoc pro katedr\u00e1lu"},"content":{"rendered":"[vc_row css=\".vc_custom_1403683187490{padding-top: 50px !important;padding-bottom: 60px !important;}\"][vc_column]<div class=\"separator_block center\" style=\"margin-bottom:30px;\"><h3>STAV KATEDR\u00c1LY P\u0158ED REKONSTRUKC\u00cd (rok 2015)<\/h3><div class=\"separator short\"><div class=\"separator_line\"><\/div><\/div><div class=\"subtitle\" style=\"margin-top:25px;\"><p>(v\u00fd\u0148atek textu z restaur\u00e1torsk\u00fdch program\u016f prof. dr hAB. Ireneusze P\u0142uski)<\/p>\n<\/div><div class=\"clearfix\"><\/div><\/div>[vc_column_text css=\".vc_custom_1521196423328{margin-bottom: 40px !important;}\"]Gotick\u00e1 katedr\u00e1la, obklopen\u00e1 hradbami z 15. stolet\u00ed, je st\u00e1le d\u016fle\u017eit\u00fdm architektonick\u00fdm prvkem, kter\u00fd je sou\u010d\u00e1st\u00ed jedine\u010dn\u00e9ho panoramatu m\u011bsta Opol\u00ed. Rozpoznan\u00e1 stylistika a stavebn\u00ed technologie st\u0159edov\u011bk\u00e9ho chr\u00e1mu je nepochybn\u011b jedn\u00edm z nejlep\u0161\u00edch p\u0159\u00edklad\u016f sakr\u00e1ln\u00ed architektury st\u0159edov\u011bk\u00e9ho Slezska.<\/p>\n<p>\u017divotnost t\u011bchto staveb z\u00e1vis\u00ed nejen na zp\u016fsobu jejich proveden\u00ed a kvalit\u011b materi\u00e1l\u016f pou\u017e\u00edvan\u00fdch b\u011bhem stavby, ale tak\u00e9 ochrann\u00fdch opat\u0159en\u00edch a zaji\u0161t\u011bn\u00ed objektu. V\u00a0minulosti byly ji\u017e mnohokr\u00e1t prov\u00e1d\u011bny opravy spo\u010d\u00edvaj\u00edc\u00ed v odstra\u0148ov\u00e1n\u00ed aktu\u00e1ln\u00edch hrozeb v oblasti mechanick\u00e9ho po\u0161kozen\u00ed r\u016fzn\u00fdch architektonick\u00fdch \u010d\u00e1st\u00ed, prov\u00e1d\u011bn\u00ed \u00faprav a prac\u00ed zlep\u0161uj\u00edc\u00edch fungov\u00e1n\u00ed kostela. Av\u0161ak nikdy tyto pr\u00e1ce nebyly typicky restaur\u00e1torsk\u00e9, v dne\u0161n\u00edm v\u011bdeck\u00e9m pojet\u00ed, a preventivn\u00edmi opat\u0159en\u00edmi, kter\u00e9 by umo\u017e\u0148ovaly prodlou\u017een\u00ed \u017eivotnosti materi\u00e1l\u016f, z nich\u017e byl kostel postaven, a zd\u016frazn\u011bn\u00ed jeho vizu\u00e1ln\u00edch p\u0159ednost\u00ed.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\".vc_custom_1515586733108{padding-top: 50px !important;padding-bottom: 60px !important;background-color: #516fb4 !important;}\"][vc_column][vc_column_text css=\".vc_custom_1521196443949{margin-bottom: 40px !important;}\"]\n<h3 style=\"text-align: center;\"><span style=\"color: #ffffff;\"><strong>FAS\u00c1DY<\/strong><\/span><\/h3>\n<p style=\"text-align: left;\"><span style=\"color: #ffffff;\">Celkov\u00fd stav fas\u00e1d chr\u00e1mu je nutno popsat jako velmi \u0161patn\u00fd, a\u010dkoli r\u016fzn\u00fd na r\u016fzn\u00fdch \u010d\u00e1stech budovy. \u017d\u00e1dn\u00fd z architektonick\u00fdch prvk\u016f, krom\u011b v\u011b\u017ee z 19. stolet\u00ed a vchodu, nen\u00ed zachov\u00e1n v p\u016fvodn\u00edm stavu, alespo\u0148 ve sv\u00e9 p\u016fvodn\u00ed podob\u011b a architektonick\u00e9 textu\u0159e.<\/span><\/p>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\".vc_custom_1403683187490{padding-top: 50px !important;padding-bottom: 60px !important;}\"][vc_column width=\"1\/2\"][vc_single_image image=\"5447\" img_size=\"full\" alignment=\"center\"][\/vc_column][vc_column width=\"1\/2\"][vc_empty_space height=\"150\"][vc_column_text css=\".vc_custom_1521196457944{margin-bottom: 40px !important;}\"]\n<h4><strong><span style=\"color: #516fb4;\">Korpus<\/span><\/strong><\/h4>\n<p>Cel\u00e1 fas\u00e1da korpusu, z\u00a0ji\u017en\u00ed i severn\u00ed \u010d\u00e1sti, je siln\u011b vypln\u011bna nov\u011bj\u0161\u00edmi strojov\u00fdmi cihlami, d\u00edky \u010demu\u017e je jejich stav relativn\u011b nejlep\u0161\u00ed z cel\u00e9ho, do dnes zachovan\u00e9ho architektonick\u00e9ho gotick\u00e9ho komplexu: Okna, nevhodn\u00e1 a nestylov\u00e1, jsou na okraj\u00edch obta\u017eena b\u00edl\u00fdmi prou\u017eky om\u00edtky.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\".vc_custom_1515056322448{padding-top: 50px !important;padding-bottom: 60px !important;background-color: #f7f7f7 !important;}\"][vc_column width=\"1\/2\"][vc_empty_space height=\"50\"][vc_column_text css=\".vc_custom_1521196499068{margin-bottom: 40px !important;}\"]\n<h4><strong><span style=\"color: #516fb4;\">Presbyt\u00e1\u0159<\/span><\/strong><\/h4>\n<p>Z v\u011bt\u0161\u00ed \u010d\u00e1sti je na presbyt\u00e1\u0159i zachov\u00e1na autentick\u00e1 gotick\u00e1 p\u00e1len\u00e1 cihla, ale st\u011bny byly zna\u010dn\u011b p\u0159estav\u011bny a dopln\u011bny cihlou strojovou, alespo\u0148 ve dvou historick\u00fdch obdob\u00edch. V\u0161echny horn\u00ed \u010d\u00e1sti nadstav\u011bn\u00fdch p\u0159\u00ed\u010dek jsou z nov\u00fdch cihel. Okapov\u00e9 st\u0159\u00ed\u0161ky jsou pokryty prejzovou st\u0159e\u0161n\u00ed krytinou. Okna jsou \u0161patn\u011b or\u00e1movan\u00e1 prou\u017ekem om\u00edtky. N\u011bkter\u00e9 parapety byly na m\u00edst\u011b zni\u010den\u00fdch kamenn\u00fdch desek vypln\u011bny betonem. St\u011bny presbyt\u00e1\u0159e ze severu jsou mnohem m\u00e9n\u011b zachoval\u00e9, proto je zde nutn\u00fd v\u011bt\u0161\u00ed z\u00e1sah nov\u011bj\u0161\u00ed strojovou cihlou. Krajn\u00ed z\u00e1kladna podstavce presbyt\u00e1\u0159e byla na z\u00e1padn\u00ed stran\u011b v posledn\u00edch letech hrub\u011b p\u0159ezd\u011bna modern\u00ed cihlou, kter\u00e1 barevn\u011b nelad\u00ed s origin\u00e1lem a nehod\u00ed se do struktury op\u011brn\u00fdch pil\u00ed\u0159\u016f. P\u016fvodn\u00ed sp\u00e1ry na cel\u00e9 historick\u00e9 \u010d\u00e1sti presbyt\u00e1\u0159e nejsou zachov\u00e1ny. Pozd\u011bj\u0161\u00ed, p\u00edskov\u011b-v\u00e1penn\u00e9, jsou polo\u017eeny na plocho a nedbale, jsou siln\u011b po\u0161kozen\u00e9 a pokryt\u00e9 \u010dernou \u0161kodlivou atmosf\u00e9rickou patinou.[\/vc_column_text][\/vc_column][vc_column width=\"1\/2\"][vc_single_image image=\"5448\" img_size=\"full\" alignment=\"center\"][\/vc_column][\/vc_row][vc_row css=\".vc_custom_1403683187490{padding-top: 50px !important;padding-bottom: 60px !important;}\"][vc_column width=\"1\/2\"][vc_single_image image=\"5702\" img_size=\"full\" alignment=\"center\"][\/vc_column][vc_column width=\"1\/2\"][vc_empty_space height=\"90\"][vc_column_text css=\".vc_custom_1521196513316{margin-bottom: 40px !important;}\"]\n<h4><strong><span style=\"color: #516fb4;\">Kaple<\/span><\/strong><\/h4>\n<p>Vrchn\u00ed st\u011bny kaple jsou siln\u011b p\u0159estav\u011bny ve form\u011b ark\u00e1dov\u00fdch st\u011bn, s om\u00edtnut\u00fdmi a malovan\u00fdmi b\u00edlou barvou p\u016flkruhov\u00fdmi v\u00fdklenky. B\u00edl\u00e1 barva v\u00fdklenk\u016f v\u00fdrazn\u011b sni\u017euje estetiku fas\u00e1dy kaple. St\u011bny fas\u00e1dy kapl\u00ed byly p\u0159ekryty nov\u011bj\u0161\u00edmi strojov\u00fdmi cihlami v 19. stolet\u00ed. V\u00fdrazn\u011b viditeln\u00e9 p\u016fvodn\u00ed cihlov\u00e9 motivy se nep\u0159\u00edzniv\u011b odli\u0161uj\u00ed od st\u011bn sv\u00fdm \u0161patn\u00fdm stavem. Ne\u010distoty, \u010dern\u00e1 fale\u0161n\u00e1 patina a \u0161patn\u00e9 sp\u00e1rov\u00e1n\u00ed zhor\u0161uj\u00ed estetiku st\u011bn. R\u00e1my oken jsou om\u00edtnut\u00e9 cementovou maltou. Nekvalitn\u00ed malta je velmi vlhk\u00e1, popraskan\u00e1 a m\u00e1 tendenc\u00ed odpadat. V oknech jsou kovan\u00e9 m\u0159\u00ed\u017ee zabezpe\u010den\u00e9 nep\u0159\u00edli\u0161 estetick\u00fdmi antikorozn\u00edmi laky.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\".vc_custom_1515056312499{padding-top: 50px !important;padding-bottom: 60px !important;background-color: #f7f7f7 !important;}\"][vc_column width=\"1\/2\"][vc_empty_space height=\"90\"][vc_column_text css=\".vc_custom_1521196538734{margin-bottom: 40px !important;}\"]\n<h4><strong><span style=\"color: #516fb4;\">Sakristie<\/span><\/strong><\/h4>\n<p>Byla postavena na konci 19. stolet\u00ed, soub\u011b\u017en\u011b s p\u0159istav\u011bn\u00edm obou kosteln\u00edch v\u011b\u017e\u00ed ke korpusu kostela. Stav cihel je obecn\u011b dobr\u00fd, i kdy\u017e jsou \u010d\u00e1ste\u010dn\u011b pokryty \u0161kodlivou atmosf\u00e9rickou patinou. N\u011bkter\u00e9 \u010d\u00e1sti cihel jsou vysp\u00e1rov\u00e1ny cementovou maltou. Okenn\u00ed parapety byly provedeny z betonu, ve kter\u00e9m byly v pozd\u011bj\u0161\u00edch letech osazeny kovov\u00e9 m\u0159\u00ed\u017ee.[\/vc_column_text][\/vc_column][vc_column width=\"1\/2\"][vc_single_image image=\"5601\" img_size=\"full\" alignment=\"center\"][\/vc_column][\/vc_row][vc_row css=\".vc_custom_1403683187490{padding-top: 50px !important;padding-bottom: 60px !important;}\"][vc_column width=\"1\/2\"][vc_single_image image=\"5430\" img_size=\"full\" alignment=\"center\"][\/vc_column][vc_column width=\"1\/2\"][vc_empty_space height=\"30\"][vc_column_text css=\".vc_custom_1521196561857{margin-bottom: 40px !important;}\"]\n<h4><strong><span style=\"color: #516fb4;\">V\u011b\u017ee<\/span><\/strong><\/h4>\n<p>V roce 1899 byly na hlavn\u00ed z\u00e1padn\u00ed st\u011bn\u011b p\u0159istav\u011bny dv\u011b symetrick\u00e9 v\u011b\u017ee v novogotick\u00e9m stylu. Ob\u011b v\u011b\u017ee byly za\u010dlen\u011bny do p\u016fvodn\u00edch st\u011bn d\u0159\u00edv\u011bj\u0161\u00edho rom\u00e1nsk\u00e9ho a pozd\u011bji gotick\u00e9ho kostela. D\u016fkazem toho jsou viditeln\u00e9 velk\u00e9 fragmenty zd\u00ed postaven\u00e9 z cihel s venedick\u00fdm a polsk\u00fdm uspo\u0159\u00e1d\u00e1n\u00edm. Rovn\u011b\u017e tyto \u010d\u00e1sti st\u011bn obou v\u011b\u017e\u00ed jsou ve velmi \u0161patn\u00e9m stavu: P\u016fvodn\u00ed zd\u011bn\u00e9 rom\u00e1nsk\u00e9 a gotick\u00e9 cihly byly siln\u011b \u201ep\u0159ezd\u011bny\u201c keramick\u00fdmi tvarovkami p\u0159i stavb\u011b v\u011b\u017e\u00ed. Zvl\u00e1\u0161t\u011b nep\u0159\u00edzniv\u00fd estetick\u00fd dojem tvo\u0159\u00ed sv\u011btlej\u0161\u00ed strojov\u00e9 cihly. Cel\u00e1 st\u011bna v doln\u00ed \u010d\u00e1sti v\u011b\u017ee byla opakovan\u011b sp\u00e1rov\u00e1na, bohu\u017eel z hlediska struktury, barvy, textury a tvaru sp\u00e1r nep\u0159\u00edli\u0161 dobr\u00fdm zp\u016fsobem. Vzhledem k siln\u011b roz\u010dlen\u011bn\u00fdm architektonick\u00fdm form\u00e1m v\u011b\u017e\u00ed, de\u0161\u0165ov\u00e1 voda spl\u00fdvaj\u00edc\u00ed nekontrolovan\u00fdm zp\u016fsobem po st\u011bn\u00e1ch st\u011bn zp\u016fsobuje zat\u00e9k\u00e1n\u00ed, vym\u00fdv\u00e1n\u00ed povrchu cihel, malty a odpad\u00e1v\u00e1n\u00ed om\u00edtky. Nespr\u00e1vn\u011b um\u00edst\u011bn\u00e9 chrli\u010de a pravd\u011bpodobn\u011b i \u0161patn\u011b promy\u0161len\u00fd syst\u00e9m odv\u00e1d\u011bn\u00ed de\u0161\u0165ov\u00e9 vody z vodorovn\u00fdch ploch v\u011b\u017e\u00ed zp\u016fsobuje \u0161kody.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\".vc_custom_1515056299664{padding-top: 50px !important;padding-bottom: 60px !important;background-color: #f7f7f7 !important;}\"][vc_column width=\"1\/2\"][vc_empty_space height=\"70\"][vc_column_text css=\".vc_custom_1521196580399{margin-bottom: 40px !important;}\"]\n<h4><strong><span style=\"color: #516fb4;\">Epitafy<\/span><\/strong><\/h4>\n<p>Na st\u011bn\u00e1ch chr\u00e1mu, zejm\u00e9na kaple a kn\u011b\u017ei\u0161t\u011b je um\u00edst\u011bno 11 epitaf\u016f, z toho 8 litinov\u00fdch, 1 mramorov\u00fd a 2 z por\u00e9zn\u00edho kamene (p\u00edskovec a v\u00e1penec). Stav kovov\u00fdch epitaf\u016f nen\u00ed p\u0159\u00edli\u0161 dobr\u00fd. Litina je siln\u011b zkorodovan\u00e1, s \u010detn\u00fdmi ohnisky \u010derstv\u00e9 rzi a mechanick\u00fdmi po\u0161kozen\u00edmi. V obzvl\u00e1\u0161t\u011b \u0161patn\u00e9m stavu je kamenn\u00fd barokn\u00ed epitaf Heinricha Zieglera, vyroben\u00fd z por\u00e9zn\u00edho v\u00e1pence. Mal\u00e9, ale \u010detn\u00e9 \u00fabytky v kameni a viditeln\u00e1 zrnit\u00e1 dezintegrace kamene poukazuje na dal\u0161\u00ed postupuj\u00edc\u00ed degradaci epitafu. Dva kamenn\u00e9 epitafy um\u00edst\u011bn\u00e9 na odhalen\u00fdch cihlov\u00fdch st\u011bn\u00e1ch bez om\u00edtky uvnit\u0159 kostela vykazuj\u00ed v\u00fdznamn\u00e9 \u0161kody, zejm\u00e9na mechanick\u00e9. Na st\u011bn\u011b obklopuj\u00edc\u00ed kosteln\u00ed n\u00e1dvo\u0159\u00ed z jihoz\u00e1padn\u00ed strany je p\u011bt historick\u00fdch epitaf\u016f (gotick\u00fdch a barokn\u00edch), v\u0161echny jsou kamenn\u00e9 a v\u00fdrazn\u011b po\u0161kozen\u00e9, p\u0159ev\u00e1\u017en\u011b mechanicky.[\/vc_column_text][\/vc_column][vc_column width=\"1\/2\"][vc_single_image image=\"5431\" img_size=\"full\" alignment=\"center\"][\/vc_column][\/vc_row][vc_row css=\".vc_custom_1515587062682{padding-top: 50px !important;padding-bottom: 60px !important;background-color: #516fb4 !important;}\"][vc_column][vc_column_text css=\".vc_custom_1521197318746{margin-bottom: 40px !important;}\"]\n<h3 style=\"text-align: center;\"><span style=\"color: #ffffff;\"><strong>INTERI\u00c9R KATEDR\u00c1LY<\/strong><\/span><\/h3>\n<p><span style=\"color: #ffffff;\">Interi\u00e9r katedr\u00e1ln\u00ed baziliky Pov\u00fd\u0161en\u00ed sv. K\u0159\u00ed\u017ee v Opol\u00ed je neoceniteln\u00fdm kulturn\u00edm d\u011bdictv\u00edm v podob\u011b hodnotn\u00e9 gotick\u00e9 architektonick\u00e9 artikulace zd\u00ed a mezilodn\u00edch pil\u00ed\u0159\u016f. Navzdory historick\u00fdm zm\u011bn\u00e1m a m\u00e1lo hodnotn\u00fdm n\u00e1nos\u016fm om\u00edtkov\u00fdch malt si interi\u00e9r zachov\u00e1v\u00e1 charakter gotick\u00e9ho interi\u00e9ru typick\u00e9ho pro \"velk\u00e9\" halov\u00e9 slezsk\u00e9 katedr\u00e1ly.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\".vc_custom_1403683187490{padding-top: 50px !important;padding-bottom: 60px !important;}\"][vc_column width=\"1\/2\"][vc_single_image image=\"5429\" img_size=\"full\" alignment=\"center\"][\/vc_column][vc_column width=\"1\/2\"][vc_column_text css=\".vc_custom_1521197342341{margin-bottom: 40px !important;}\"]\n<h4><strong><span style=\"color: #516fb4;\">St\u011bny a pil\u00ed\u0159e<\/span><\/strong><\/h4>\n<p>Mechanick\u00e1 zni\u010den\u00ed cihel byla d\u016fsledkem n\u011bkolika po\u017e\u00e1r\u016f chr\u00e1mu (v letech: 1415, 1446, 1615), n\u00e1rodn\u011b osvobozeneck\u00fdch boj\u016f a mnoh\u00fdch \u00faprav vn\u011bj\u0161\u00edch a vnit\u0159n\u00edch st\u011bn stavby (v letech: 1470, 1518, 1555 - 1557, 1617, 1652, 1836, 1882 1897-1902, 1905, 1963 - 1966). N\u011bkter\u00e9 \u0161kody byly zna\u010dn\u00e9 a citeln\u00e9. Nicm\u00e9n\u011b, k ni\u010den\u00ed odkryt\u00fdch cihel na neom\u00edtnut\u00fdch st\u011bn\u00e1ch doch\u00e1zelo velmi pomalu a jsou sp\u00ed\u0161e d\u016fsledkem norm\u00e1ln\u00edho st\u00e1rnut\u00ed stavebn\u00edch materi\u00e1l\u016f. Zni\u010den\u00ed cihel v\u010detn\u011b sp\u00e1r jsou nyn\u00ed viditeln\u00e1 na dvou v\u00fdchodn\u00edch k\u0159\u00eddlech a obou bo\u010dn\u00edch uli\u010dk\u00e1ch. Kdysi velmi poni\u010den\u00e9 zdi opolsk\u00e9 svatyn\u011b, oslaben\u00e9 \u010dasem, byly podrobeny radik\u00e1ln\u00edmu om\u00edtnut\u00ed cel\u00e9ho interi\u00e9ru tlust\u00fdmi vrstvami v\u00e1penn\u011b-cementov\u00e9 om\u00edtky. T\u00edmto radik\u00e1ln\u00edm zp\u016fsobem byly zakryty po\u0161kozen\u00e9 cihly, a interi\u00e9r tak nabral vzhled dalek\u00fd od p\u016fvodn\u00edho estetick\u00e9ho vzhledu interi\u00e9ru gotick\u00e9ho chr\u00e1mu. Prob\u00edhaj\u00edc\u00ed fyzik\u00e1ln\u011b-chemick\u00e9 procesy zp\u016fsoben\u00e9 vodou v r\u016fzn\u00e9m stavu skupenstv\u00ed vedly k rekrystalizaci sol\u00ed, co\u017e vedlo k uvoln\u011bn\u00ed s\u00e1drov\u00fdch om\u00edtek a uvoln\u011bn\u00ed pojivosti cihel a om\u00edtek. Pokryt\u00ed st\u011bn a sloup\u016f tlust\u00fdmi vrstvami s\u00e1dry nejen nep\u0159\u00edzniv\u011b ovlivnilo estetiku interi\u00e9ru, ale v d\u016fsledku toho vedlo k zavlhnut\u00ed spodn\u00edch \u010d\u00e1st\u00ed st\u011bn a viditeln\u00e9mu rozpadu cihel.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\".vc_custom_1515056312499{padding-top: 50px !important;padding-bottom: 60px !important;background-color: #f7f7f7 !important;}\"][vc_column width=\"1\/2\" css=\".vc_custom_1517224571999{padding-top: 50px !important;}\"][vc_column_text css=\".vc_custom_1521197368101{margin-bottom: 40px !important;}\"]\n<h4><strong><span style=\"color: #516fb4;\">Sgrafita Stanis\u0142awa Szmuce<\/span><\/strong><\/h4>\n<p>V roce 1963 pro\u0161el interi\u00e9r d\u016fkladnou regotizac\u00ed za \u00fa\u010delem obnoven\u00ed p\u016fvodn\u00ed estetiky cihlov\u00fdch zd\u00ed. Konzerva\u010dn\u00ed pr\u00e1ce \u0159\u00eddil P. Pie\u0144kowski z Krakova, zat\u00edmco design interi\u00e9ru byl pov\u011b\u0159en um\u011bleck\u00e9mu mal\u00ed\u0159i Stanislawu Szmucowi z Krakova. Ve sv\u00e9 dob\u011b se jednalo o oce\u0148ovan\u00e9ho um\u011blce, zn\u00e1m\u00e9ho p\u0159edev\u0161\u00edm d\u00edky \u0159ad\u011b um\u011bleck\u00fdch prac\u00ed v interi\u00e9rech kostel\u016f. Narodil se v roce 1911 v obci Wysoka ko\u0142o \u0141a\u0144cuta, v z\u00e1\u0159\u00ed roku 1939 se z\u00fa\u010dastnil boj\u016f, byl internov\u00e1n v Rumunsku, a jako voj\u00e1k konspirace pom\u00e1hal s pa\u0161ov\u00e1n\u00edm osob na Slovensko. Po v\u00e1lce byl \u010dlenem Spolku p\u0159\u00e1tel v\u00fdtvarn\u00fdch um\u011bn\u00ed, nejprve byl spjat s \u0158e\u0161ovem, pot\u00e9 s Krakovem a tam se pravd\u011bpodobn\u011b setkal s biskupem Franciskem Jopem, ordin\u00e1\u0159em z Opol\u00ed. B\u011bhem konzerva\u010dn\u00edch prac\u00ed prov\u00e1d\u011bn\u00fdch v \u0161edes\u00e1t\u00fdch letech se objevily pokusy o odstran\u011bn\u00ed cel\u00e9 om\u00edtky za \u00fa\u010delem odhalen\u00ed kr\u00e1sy gotick\u00fdch zd\u00ed interi\u00e9ru chr\u00e1mu. Proto\u017ee v n\u011bkter\u00fdch \u010d\u00e1stech zdi byly cihly velmi zkorodovan\u00e9, bylo rozhodnuto o op\u011btovn\u00e9m nanesen\u00ed om\u00edtky, na n\u00ed\u017e um\u011blec Stanislaw Szmuc um\u00edstil n\u00e1bo\u017eensk\u00e9 sc\u00e9ny, proveden\u00e9 tehdy m\u00f3dn\u00ed sgrafitovou technikou. A tak na severn\u00ed st\u011bn\u011b chr\u00e1mu byla p\u0159edstavena sc\u00e9na nalezen\u00ed Svat\u00e9ho K\u0159\u00ed\u017ee c\u00edsa\u0159ovnou Helenou. T\u0159i k\u0159\u00ed\u017ee um\u00edst\u011bn\u00e9 v Kalv\u00e1rsk\u00e9 sc\u00e9n\u011b ukazuj\u00ed obt\u00ed\u017ee se zji\u0161t\u011bn\u00edm pravosti k\u0159\u00ed\u017ee, kter\u00fd pat\u0159\u00ed Kristu. \u0158e\u0161en\u00ed tohoto probl\u00e9mu je p\u0159edstaveno v druh\u00e9m p\u00e1smu sgrafitty, konkr\u00e9tn\u011b dot\u010den\u00edm nemocn\u00e9ho k\u0159\u00ed\u017eem, je\u017e mu vr\u00e1til zdrav\u00ed. Zat\u00edmco na ji\u017en\u00ed st\u011bn\u011b nad Piastovskou kapl\u00ed je p\u0159edstavena Posledn\u00ed ve\u010de\u0159e. P\u0159ech\u00e1zej\u00edce sm\u011brem ke ch\u00f3ru ve stejn\u00e9 v\u00fd\u0161ce um\u011blec p\u0159edstavil postavu sv. Vojt\u011bcha, sv. Hedviky a b. Ofky s k\u0159\u00ed\u017eem. V\u0161e uzav\u00edr\u00e1 sv. Jacek se sochou Madony a b. Czes\u0142aw s monstranc\u00ed. S. Szmuc tak\u00e9 navrhl vitr\u00e1\u017ee oken v severn\u00ed a ji\u017en\u00ed \u010d\u00e1sti chr\u00e1mu. Tvorba S. Szmuce je vysoce cen\u011bn\u00e1 v sou\u010dasn\u00e9m um\u011bn\u00ed druh\u00e9 poloviny 20. stolet\u00ed. Nicm\u00e9n\u011b, p\u0159i posuzov\u00e1n\u00ed dekorativn\u00edho um\u011bn\u00ed sgrafitu v opolsk\u00e9 katedr\u00e1le m\u00e1 dnes sp\u00ed\u0161e historickou hodnotu, spojenou s ned\u00e1vnou histori\u00ed chr\u00e1mu a pam\u00e1tkou um\u011blce.[\/vc_column_text][\/vc_column][vc_column width=\"1\/2\" css=\".vc_custom_1517224719172{padding-top: 50px !important;}\"][vc_empty_space height=\"100\"][vc_single_image image=\"5428\" img_size=\"full\" alignment=\"center\"][\/vc_column][\/vc_row][vc_row css=\".vc_custom_1403683187490{padding-top: 50px !important;padding-bottom: 60px !important;}\"][vc_column width=\"1\/2\" css=\".vc_custom_1517224663748{padding-top: 90px !important;}\"][vc_single_image image=\"5426\" img_size=\"full\"][\/vc_column][vc_column width=\"1\/2\"][vc_column_text css=\".vc_custom_1521197383696{margin-bottom: 40px !important;}\"]\n<h4><strong><span style=\"color: #516fb4;\">Kaple<\/span><\/strong><\/h4>\n<p>V ji\u017en\u00ed \u010d\u00e1sti katedr\u00e1ly se nach\u00e1z\u00ed Piastovsk\u00e1 kaple, postaven\u00e1 na p\u0159elomu 15. a 16. stolet\u00ed, pokryt\u00e1 klenbou s k\u0159\u00ed\u017eov\u00fdmi \u017eebry s kamenn\u00fdmi z\u00e1klady \u017eeber a tak\u00e9 hladk\u00fdmi kamenn\u00fdmi dla\u017edicemi. V jej\u00ed st\u0159edov\u00e9 \u010d\u00e1sti je um\u00edst\u011bn n\u00e1hrobek Jana Dobr\u00e9ho, posledn\u00edho opolsk\u00e9ho z\u00e1stupce rodu Piastovc\u016f, kter\u00fd financoval stavbu b\u00fdval\u00e9 Kolegi\u00e1ty sv. K\u0159\u00ed\u017ee, a dne\u0161n\u00ed katedr\u00e1ly. Na prot\u011bj\u0161\u00ed stran\u011b Piastovsk\u00e9 kaple kostela se nach\u00e1z\u00ed kaple sv. Hedviky postaven\u00e1 na p\u0159elomu XV.-XVI. stolet\u00ed, s dvojit\u00fdm hv\u011bzdicov\u00fdmi klenut\u00fdmi \u017eebry, profilovan\u00fdmi \u017eebry a dv\u011bma kamenn\u00fdmi svorn\u00edky s vy\u0159ez\u00e1van\u00fdmi a malovan\u00fdmi povrchy. Jeden svorn\u00edk zobrazuj\u00edc\u00ed zlat\u00fd monogram IHS obklopen\u00fd paprsky na b\u00edl\u00e9m pozad\u00ed, druh\u00fd svorn\u00edk - zlat\u00e1 holubice v k\u0159\u00ed\u017eov\u00e9 svatoz\u00e1\u0159i na b\u00edl\u00e9m pozad\u00ed. Zde stoj\u00ed olt\u00e1\u0159 sv. Hedviky, p\u0159enesen\u00fd v roce 1966 z hlavn\u00ed lodi. Um\u00edst\u011bn\u00e9 na n\u011bm t\u0159i sochy p\u0159edstavuj\u00ed sv. Hedviku (uprost\u0159ed), b. Czeslawa (vpravo) a sv. Jacka (vlevo). Dal\u0161\u00ed kapl\u00ed nach\u00e1zej\u00edc\u00ed se v severn\u00ed \u010d\u00e1sti kostela je kaple sv. Anny rovn\u011b\u017e z p\u0159elomu 15.\/ 16. stolet\u00ed, p\u0159ikryt\u00e1 k\u0159\u00ed\u017eovou klenbou s labyrintovou kol\u00e9bkou. Do kaple se vch\u00e1z\u00ed polokruhovou ark\u00e1dou, osazenou barokn\u00ed, kovanou, zlacenou m\u0159\u00ed\u017e\u00ed s motivy ve tvaru p\u00edsmene \u201es\u201c a stylizovan\u00fdmi listy z roku 1635. Kaple je zcela om\u00edtnut\u00e1, s v\u00fdjimkou oblouk\u016f ark\u00e1dy. Stoj\u00ed v n\u00ed olt\u00e1\u0159 s obrazem Franti\u0161ka Backera, zobrazuj\u00edc\u00ed sv. Annu s Je\u017e\u00ed\u0161em Kristem. Velk\u00e1 sakristie, ve sv\u00e9 sou\u010dasn\u00e9 podob\u011b z druh\u00e9 poloviny sedmn\u00e1ct\u00e9ho stolet\u00ed, je pokryta zrcadlov\u00fdmi klenbami z roku 1653, ov\u00e1ln\u00fdm stropem uprost\u0159ed a ploch\u00fdmi oblouky pod\u00e9l \u0161v\u016f. Sou\u010dasn\u011b je to jedin\u00e1 m\u00edstnost chr\u00e1mu, jej\u00ed\u017e interi\u00e9r nese zn\u00e1mky baroka. Mal\u00e1 sakristie je pokryta dv\u011bma klenbami s k\u0159\u00ed\u017eov\u00fdmi \u017eebry, um\u00edst\u011bn\u00fdmi nap\u0159\u00ed\u010d k ose kostela s kamenn\u00fdmi svorn\u00edky a podp\u011brn\u00fdmi \u017eebry. M\u00edstnost je v\u011bt\u0161inou om\u00edtnut\u00e1 a vyb\u00edlen\u00e1, s v\u00fdjimkou cihlov\u00e9 \u010d\u00e1sti, odkryt\u00e9 v horn\u00ed \u010d\u00e1sti severn\u00ed st\u011bny.[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=\".vc_custom_1515058111005{margin-bottom: 0px !important;padding-top: 50px !important;padding-bottom: 20px !important;background-color: #ffd962 !important;}\"][vc_column][vc_column_text]\n<h3 style=\"text-align: center; font-size: 36px;\"><span style=\"color: #ffffff;\">Z \u00facty k minulosti, <span style=\"color: #516fb4;\">postarejme se o budoucnost<\/span><\/span><\/h3>\n[\/vc_column_text][\/vc_column][\/vc_row]","protected":false},"excerpt":{"rendered":"<p>Katedr\u00e1la Pov\u00fd\u0161en\u00ed svat\u00e9ho K\u0159\u00ed\u017ee je d\u016fstojn\u00fdm sv\u011bdkem mnohasetlet\u00e9 historie. Kostel, stejn\u011b jako i m\u011bsto, po cel\u00e1 stalet\u00ed su\u017eovaly \u010detn\u00e9 v\u00e1lky, po\u017e\u00e1ry a epidemie, kter\u00e9 zas\u00e1hly Opol\u00ed i Horn\u00ed Slezsko. Jeho nejstar\u0161\u00ed fragmenty poch\u00e1zej\u00ed je\u0161t\u011b z \u010das\u016f vl\u00e1dy opolsk\u00fdch Piastovc\u016f. Opolsk\u00e1 katedr\u00e1la je dnes nejd\u016fle\u017eit\u011bj\u0161\u00ed svatyn\u00ed opolsk\u00e9 diec\u00e9ze a rozpoznateln\u00fdm symbolem m\u011bsta.<\/p>\n<p>Prvn\u00ed kostel zde m\u011bl b\u00fdt dle prad\u00e1vn\u00e9 tradice postaven ji\u017e v letech 1002-1005, v obdob\u00ed vl\u00e1dy pozd\u011bj\u0161\u00edho polsk\u00e9ho kr\u00e1le Boleslava Chrabr\u00e9ho. V\u00a0roce 1024 pak m\u011bl vratislavsk\u00fd biskup Klemens p\u0159edat tomuto kostelu nesm\u00edrn\u011b cennou v\u011bc, kterou zde maj\u00ed dodnes: relikvie d\u0159eva<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"page-fullwidth.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-5974","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/renowacja.katedraopolska.pl\/cz\/wp-json\/wp\/v2\/pages\/5974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/renowacja.katedraopolska.pl\/cz\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/renowacja.katedraopolska.pl\/cz\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/renowacja.katedraopolska.pl\/cz\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/renowacja.katedraopolska.pl\/cz\/wp-json\/wp\/v2\/comments?post=5974"}],"version-history":[{"count":83,"href":"https:\/\/renowacja.katedraopolska.pl\/cz\/wp-json\/wp\/v2\/pages\/5974\/revisions"}],"predecessor-version":[{"id":6630,"href":"https:\/\/renowacja.katedraopolska.pl\/cz\/wp-json\/wp\/v2\/pages\/5974\/revisions\/6630"}],"wp:attachment":[{"href":"https:\/\/renowacja.katedraopolska.pl\/cz\/wp-json\/wp\/v2\/media?parent=5974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}